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Fuchu Art Museum collection masterpiece selection [Fuchu Art Museum]


Fuchu Art Museum collection masterpiece selection [Fuchu Art Museum]

After seeing the “Japan art” of the Fuchu Art Museum which I introduced last time, I have seen the permanent exhibition. This time, the “Fuchu Art Museum collection Masterpiece Selection” and the title were gathered, and a selection of works was collected.

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【 Exhibition name 】
Fuchu Art Museum Collection masterpiece selection

[Official Website]
 Https://www.city.fuchu.tokyo.jp/art/jyosetu/ichiran/h30.html

【 Venue 】 Fuchu Art Museum
【 Nearest 】 Keio Fuchu station

Date: Saturday, March 16-Sunday, May 5, 2019
* Please check the official website for business hours, closed days, maps and patrols.

[Appreciation time required (my pace)]
About 0 hours and 30 minutes

[Crowded condition, congestion situation]
Congestion _1_2_ 3_4_ (5) _ Comfortable

[Work Fulfillment]
Insufficient _1_2_ 3 _ (4) _5_ Fuller

Easy to understand
Arcane _1_2_ (3) _4_ 5 _ Clear

[Total Satisfaction]
(4) _5_ satisfaction with dissatisfaction

Thoughts
The special exhibition seemed to be crowded, but I was able to watch it in a vacant and comfortable way. I wonder if there are many people who can watch the tickets for the special exhibition. Too good anything….

Now, this permanent is a masterpiece selection, it was the content of introducing a masterpiece in every era from the collection boasts the Fuchu art Museum. How did the Fuchu art Museum change after the renovation? It seems that there is not as big a change as I thought by the part of the room of Noriyuki Ushijima that the route turned around oppositely when thinking. It was divided into several corners, so I thought I would look back at each corner with a piece I liked.

Fuchu Art Museum collection masterpiece Selection >
First of all, it is a corner of the permanent masterpiece selection. This was divided into sections in every age.

Sadao Tsubaki “Taiyamaki Hana”
This is a picture of a large white flower (Taiyamaki) in a vase. It is thick and it is mixed with yellow and red in the white, and it becomes a dense hue. The leaf is black, and the heavy thickness comes out, and it is a stout atmosphere. It was a work that also felt the commonality between the master and fellow Kishida Ryusei.

Hiichi Miyamoto “Yunagi”
This is a hanging axis, and the appearance that a white horseshoe horse is quietly standing in the background of the town and the waterway in the Taisho era is drawn. The building of the background is lined up regularly with the configuration which used the horizontal and vertical, and there is an orderly beauty with the stone wall of the seawall. Moreover, the pale hue felt the emotion and the silence of the Twilight, and the White Horse appeared to float.

[Dawn of Meiji-western painting]
Kiyoo Kawamura “Venetian Landscape”
This is a small screen with a black gondola, a boatman, a white wall building on the background and a scene from the Waterfront of Venice. It was overflowing with emotion while sketching, and summertime was invited only by seeing. It is a work that makes you feel the high skill of Kawamura kiyoo.
Reference article:The painting House of the Restoration, Kawamura Kiyoo’s Impressions (Edo Tokyo Museum)

Rafael Colin “Froreal”
This is a work depicting the nude lying in the grass of the waterside. The right hand is applied to the face and it is seen here, and it is a woman of a fantastic, pure atmosphere with a smooth hue. It might be made to feel the touch which is somewhat vague. The whiteness of the nude is also an impressive work. Is it a variation similar to the collection of Tokyo University of the arts?

In the vicinity, there was a work of the father of the modern painting and Kuroda Seiteru who was the disciple of Coran Japan.

[Draw Landscape]
Alfred East “Mt. Fuji”
This is a composition where Mt. Fuji is visible on the other side of the sea, and a myriad of cranes fly around the sea level in the foreground. The left of Mt. Fuji is a cloud, and the right side shines brightly, and the vicinity of the top is a divinely majestic atmosphere like pink. The color was light and even somewhat fantastic, and it was a work that condensed the beauty of the Japan.

Shigeru Aoki “girl groups”
This is a picture of three women dancing in a circle. The movement is felt as the hair and the clothes flow from the left to the right by three people. I do not understand the expression, but there was an ancient style of costume, and it was an iconic and mysterious spectacle like the world of Mythology.

[Painting of the Showa prewar period]
Arishima Ikuma “Three Sisters”
This is a work depicting three girls who play on the coast where the sea is seen far away. One sits on the Y-tree trunk, one sits with his legs ground, and the other is standing up and holding a hand towards the dog in front of him. It seems to be a little surreal that not all three faces are drawn and indifferent to each other. It seemed to be a spectacle in the dream when it was bright color.

Toshiyuki Hasegawa “Cafe Entrance”
This is a work depicting the entrance of the café using a long linear touch. There seems to be a thing like a houseplant and a door, but it is difficult to discriminate with a considerably coarse touch. It was an intensely improvised, and it was a work of a feeling like the style of Hasegawa Toshiyuki.
Reference article:Toshiyuki Hasegawa exhibition Seven Colors of Tokyo (Fuchu Art Museum)

[Postwar realism painting]
EI-Kyu “midday”
This is an abstract painting that looks like blue, red, orange, yellow and other spots are lined up radially. I do not know the meaning of the title, but because I feel something like an outpouring of energy, do you image the day? The assortment of the color was interesting and it was reminiscent of clay.
Reference article:The 100th anniversary of the birth of EI-kyu exhibition-entrusted to the Dream (Museum of Art)

Taro Okamoto “Composition”
This is a semi-representational and semi-abstract work depicting five eyeballs and a face like a black, thick contour. The color of red, yellow, and orange collide, and the energy of dissonance is born, and it becomes a strong sense of color. There was a dark and disturbing atmosphere overall.
Reference article:The 100th anniversary of Taro Okamoto Exhibition (National Museum of Modern Art, Tokyo)

[Scenery of Tama]
Zenzaburo Kojima “Water temperature”
This is a landscape painting that overlooks the field of Tama from a slightly high place. There are a lot of parts of the soil, the one which seems to be a forest and a work hut far away, and the brook flows in front. The picture and scenery seem to be a simple, long-winded spectacle. Because there was a lot of brown, I felt warmth.

[1960s avant-garde challenge]
We only had two points here.

Yukihisa Isomabe “Monument 7”
It looks like a green gate with a monumental work as the name that made the marble powder into a canvas. There is a profound and three-dimensional feeling, it had become a novel expression that flew out the frame of the painting any longer.

[The Showa People Illusion Jiro Koyamada and Masayoshi Aigasasa]
There were only two points here.

Masayoshi Aigasa “Woman with a fruit of Tachibana”
This is a green fruit with branches in the background of a room with a decorative dish, a modern woman facing the side (Tachibana fruit? It is a work that is drawn to give the appearance. As the composition is a face from the very beside the profile of the Renaissance, the expression is interesting to assortment like a smile archaic smiling. There was a mysterious atmosphere though it was realistic, and I felt a mysterious silence.

[Painting of Heisei with art activities after opening]
This is a series of works made in the public production of Fuchu Art Museum.

Asaya Sotani “Door”
This is a work depicting the door of the bathroom, and it is a screen with a rainbow color overall. Thins soft color, feel the gentle light from across the door. It was a style that was calm but comfortable and bouncy.

A soft world of Noriyuki Ushijima >
This is a corner lined with the goods concerning Noriyuki Ushijima as well as before the renovation. However, the atelier of Noriyuki Ushijima seems to have disappeared, and the corner of Noriyuki Ushijima, such as the large room is lined with works other than Ushijima Noriyuki (the next chapter) seems to have decreased. I do not know whether it is only this season or the next one so far.

The scenery of the sea and the sky.
The work of Noriyuki Ushijima was originally lined up by large room. Of course, there are also works by Noriyuki Ushijima, but this time the works of other painters were also lined up.

Hidesaku Wada “Sanho no Matsubara”
This is a work depicting the pine forest under the cloudy. Usually, this title is where you draw even Mt. Fuji seen from Miho’s Matsubara, but it has become a bleak picture depicting the pine of sand in a lonely spectacle as w Garan, it seemed to be a scene of a realistic coast in a sense

The wave of the white wave
This is a pine tree that grows on a cliff in front, and a sandy beach where white waves surge in the back is drawn. Can you feel the contrast between the blue sea and the red-Brown beach and the mountains? The white waves seemed to be piled up over and over again, and the sea was rough.

So, there were a number of works that were typical of a famous painter’s style, and it was more satisfying than I expected. It is an exhibition that collects the delicious place of this museum, so I recommend you to watch it when you go to see the “Japan art”.

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Original article source:https://21stcenturyxxxman.blog.fc2.com/blog-entry-2190.html

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