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The stars of Beauty (Part I) [Okada Museum of Art] Hakone 2019

The stars of Beauty (Part I) [Okada Museum of Art] Hakone 2019

It is Hakone hen today. I could hardly go to the museum on Hakone trip, but I only saw the Okada Museum of Art in Dash. At that time, “the fifth anniversary exhibition of the Beauty of the Stars-Korin, Jakuchu, Hokusai, thine kiln, such as the masterpiece Studded-] exhibition that there were many things to see, so I’ll introduce the part in the latter part. This exhibition has already ended since it was just the end of the session.

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【 Exhibition name 】
The fifth anniversary exhibition of the Museum of Beauty
-A masterpiece studded with Korin, Jakuchu, Hokusai, and thine kiln

[Official Website]

【 Venue 】 Okada Museum of Art
【 Nearest 】 Kowakudani station

【 Period 】 September 30, 2018 (Sun)-March 30, 2019 (Sat)
* Please check the official website for business hours, closed days, maps and patrols.

[Appreciation time required (my pace)]
About 3 hours 00 minutes

[Crowded condition, congestion situation]
Congestion _1_2_ 3_4_ (5) _ Comfortable

[Work Fulfillment]
Deficiency _1_2_ 3_4_ (5) _ Fuller

Easy to understand
Arcane _1_2_ 3 _ (4) _5_ clear

[Total Satisfaction]
(4) _5_ satisfaction with dissatisfaction

I was able to enjoy it comfortably. The pace of the distribution was closed in about two hours, and the fifth floor of the fourth floor was a considerable high-speed view. It was hard for me to have no more than three hours W

The exhibition was commemorating the fifth anniversary of the opening of the Okada Museum of Art, and the contents of the Okada Museum of Art were lined with a focus on Japan, Chinese and Korean art. Since there is no particular separator between permanent and special exhibitions, I would like to list the works that I liked from the first floor.

1st floor Chinese ceramics, bronze ware, Korea ceramics >
The first floor is a corner introducing porcelain. Each section was lined with ceramics from different regions and eras.

[1-1 Japan, China, Korea crafts]
This section is a corner that showcases the masterpieces of the three countries, especially the Japan.

13“An octagonal dish with a treasure-colored pictureThe Edo Period
This is an octagonal plate with a character of Kotobuki in the center, and treasures such as the scallop, the jewel, the Sho, the fan, the Treasure ship, and horn are drawn around. The colors were vivid and dignified, and they were perfect idiot. It is likely to be able to be said that it is a masterpiece in this certainly though it is seen a lot in the corner later.

8“Deep pot type earthenware (flame type Earthenware)”Mid-Jomon Period
This is a flame type earthenware with a pattern of the rope, and there is a stout style. This is a powerful and fiery form of the Jomon period, and it was a great surprise to me in ancient aesthetic sense.

There were also haniwa and copper tak around here.

[1-2 ancient Ming instruments]
This section is a corner of the Chinese Ming vessel. The Ming Ware is a custom which began in the yin age by the terracotta of the burial to the tomb.

24“Misaiyo-type water note”Tang Dynasty
This is a water note in the shape of a hawk, and it is made to pour water from the beak part. It is interesting that it is a pattern that takes advantage of the color of the three colors represented by standing. It was the first time for me to watch a Ming instrument modeled after a hawk, but it was like a rare example.

34“House Green Glaze”The post-Han era
This is a house type pottery with a height of about 1.5 m, and it seems to make it by assembling four parts of three layers. There is a figure of a person in the upper part, and it was a very elaborate work with the appearance like the Phoenix at the top of a little pleasing w to put out the face from the window.

[1-3 Song Magnetic]
Next is the porcelain corner around the song era in China.

53“Lees Blue glazed red Patan bottle”Fishing kiln gold-yuan era
This is a bottle of the shape that becomes thin enough to go below the body part, and it becomes the modeling with roundness. The part of the mouth is divided into five projections like the lily Flower, and receives a dainty impression. The pale blue color called Heavenly Blue was also vivid, and the purple pattern was applied to an organic amorphous form. It is a pottery with a modern pattern reminiscent of modern abstract painting.

There were some Tenmoku teacups here.

[1-4 Sung, Yuan and Akira TOC]
Next, it is a corner lined with items of TOC, which is a kiln.

58“White porcelain Dark bouquet lotus”Ming Dynasty Nagaku Annual
It is a white round plate at first glance. However, it is understood that the pattern of the lotus flower floats with thin even if I watch it. This pattern seems to represent the white porcelain by the technique of the pale line carving of the dark flower, and it seems to have the meaning of the descendant prosperity. Sheer White was also a beautiful vessel.

78“Five Hundred Alert Vase”Ming Dynasty million calendar years
Here, the side of a large jar is separated by a frame like countless clouds, and the bat such as red, green, yellow, and blue are drawn innumerable in it. Bat is a perfect idiot motif because the pronunciation is similar to fortune in Chinese, but does this have as many as a hundred animals as the name? It is vivid in the eyes that the bat is dancing colorful. In addition, the stripe pattern of the shoulder seems to be a pattern of the Bagua, and it was a rich color here, too.

88“Blue flower Arabesque” twin ear tonsilsMing Dynasty Nagaku Annual
This is a circular tonurn, with ears on both sides. There was an arabesque pattern in the center, and it was expressed in vivid blue using cobalt of the Islamic region. It was very beautiful to float a pattern of exotic patterns on the white porcelain, and it was a favorite work of many pottery of this floor.

[1-5 the beauty of Celadon]
Then, it was in the corner of Celadon, and it lined up about 20 points.

101“Celadon God-tei vase”Yue State kiln Mikuni (WU)-Nishi-jin Era
This is a granary that means the dwelling of the dead and the god-tei vase. There are countless small monks who meditate on a vase, and on top of that they are represented as a mansion or house. There was a sense of fun that also death the view of the Ming.

95“Celadon Donotani mouth Jar”TOC Kiln Qing Dynasty
This is a beautiful celadon conspicuously smooth and pale green. The beast was attached to the side with an ear like a ring, and it was filled a simple but graceful atmosphere.

[1-6 TOC Kiln]
The following is a corner about the TOC kiln in the Qing Dynasty.

150“Butterfly Bowl of Powder”TOC Kiln Qing Dynasty
A circular frame is drawn on the side of the bowl, and a butterfly is drawn there and five things are lined up regularly. It is very finely realistic, and it is drawn to the tactile and the scaly powder. It was a work that suggests that the painting of the Qing Dynasty was very advanced.

I wonder if there were many colorful bowls around here. There was a thing of unusual color such as pink, too.

[1-7 The beauty of a jade device]
It is a corner of the work made using “Jade (mainly jade)” that the person in the Chinese area wears.

160“Shiratama lotus sentence incense burner.”Qing Dynasty Qianlong years
This is a incense burner that mimics the ding of the bronze by using a gem. The handle also has a ring, and it is quite elaborate, such as to highlight the comes Hebertot Taotie crest. It was a small elaborate and extraordinary technology. The ball is hard, but perseverance is dangerous.

Second floor Japan ceramics and Glass >
On the second floor, there are a few Japanese glass products, lined with ceramics from the most prominent Japan.

[2-1 the beauty of Jomon]
The corner of the article of the Jomon period again. There are fewer points here.

163DoguJomon period late
This is a dogu that is smiling, and it is abstracted and the one like the spiral pattern is expressed. On the whole, it was a shape similar to the light-shielding device Dogu, and the flow was fetched.

[2-2 Hizen porcelain and Kokyutani style]
Next, it is a corner lined with Arita ware and Kokyudani.

175“Beauties-colored bottle”
This is a work depicting three magpies and roses perched on a plum tree in a cloudy-colored trunk. The tree is emerald green, and the flower is drawn with a free and vigorous brush in red. I think that the place where perfection is not too high is exactly good and feels comfortable. It was a work of the picture with the taste.

There were a lot of old nine valleys in this side. Yellow and green are lurid colors, and it is porcelain that I am weak in W

[2-3 Kakiemon Style]
The following is a corner of the Kakiemon style work which was based on a white background in Arita.

194“The beauty of the picture
This is a porcelain doll of a kimono-like woman who is smiling and talking with his hands on her chest. It is slender long, and the eyes of the slit length are a glossy atmosphere. Moreover, the kimono which represented the flower and the running water in red and green was also elegant, and it became a beautiful image with dignity.

[2-4 Hizen Porcelain Masterpieces]
Next, it is a corner of the masterpiece of Hizen.

199“Color picture Tsubaki Tsunbun”
The camellia such as white, red, blue, and yellow is drawn along the edge of a circular plate. The arrangement of the color makes you feel the flow, it is a graceful atmosphere. There was a part that the ring lacked in the upper one, and it seemed to be a smart gimmick.

The masterpieces in this corner were all really wonderful. But I can not write all the notes W

[2-5 Pottery]
Next is my favorite section of the area. It was a wide range of subjects, from geometric patterns to beauties.

213“A dish of vegetable dishes”
This is a dish in which summer vegetables are drawn, and beans, chili, melon and eggplant are lined up. On the simplification has become a funny rhythmic arrangement, color also red and leaves Green pepper, I received a colorful and light impression in the feeling that said purple eggplant. It is a very stylish work.

There were so many wonderful works that I couldn’t even introduce here.

[2-6 old Imari 126 items]
Various goods such as old Imari of the matching thing were lined up in the exhibition case here. It is small and there is also a cute vessel and is rich in the variation.

[2-7 Jin Qing and Dry mountain]
Next, it is a corner of pottery by Hitoshi Nonomura and Ogata Dry mountain.

352Ogata dry Mountain “rust Shiraume”
This is a square dish where the shiraume by the elder brother Ogata Korin and the praise by the dry mountain are drawn. Shiraume’d feel the momentum being pretty simplistic. On the back, it was written in big letters to the whole plate, and it seemed to be sure that his elder Ogata Korin was painting.

This neighborhood was introduced before the “color picture wheel treasure Jiemo wen sentence incense burner” and [color picture Ryutagawa sentence permeation sculpture anti-pot] (★ Can be seen here.There was it, too. This is also quite gorgeous.
Reference article:Jinqing and Dry mountain-the ceramics and paintings of Kyoto-[Okada Museum of Art] (Hakone edition 2018)

[2-8 mud-the beauty of Japanese glass]
The end of the second floor is the corner of the Japanese glass.

367“Indigo Color Chirori”Edo Period
This is a deep cobalt blue Chirori, and the trunk is plump, and the mouth extends thin long. The delicate and refined form was cool with the color, and it had become a elegant appearance which seems to be able to be understood even in modern times.

There were also a few precious Satsuma Kiriko in this corner. Strong colors are attractive.

So, it’s getting longer, so I’m going to make it here today. It is a translation that was time up in the middle of the second half by using a lot of time in the first and second floor, but I think that it is not to be overlooked especially the clay and Kyo ware that there are many attractions anyway. In the second half, we exhibited the works of Ito Jakuchu and Lin sect, which is our aim, so I will introduce them next time.

→ The latter part isHere

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